Predicate Logic and Popular Culture: Index

I’m doing something that I should have done a long time ago: collecting a series of posts into one single post. The following links comprised my series on using examples from popular culture to illustrate principles of predicate logic.

Unlike other series that I’ve made, this series didn’t have a natural chronological order. So I’ll list these by concept illustrated from popular logic.

green lineLogical and \land: Part 1

  • Part 1: “You Belong To Me,” by Taylor Swift
  • Part 21: “Do You Hear What I Hear,” covered by Whitney Houston
  • Part 31: The Godfather (1972)
  • Part 45: The Blues Brothers (1980)
  • Part 53: “What Does The Fox Say,” by Ylvis
  • Part 54: “Billie Jean,” by Michael Jackson

Logical or \lor:

  • Part 1: Shawshank Redemption (1994)

Logical negation \lnot:

  • Part 1: Richard Nixon
  • Part 32: “Satisfaction!”, by the Rolling Stones
  • Part 39: “We Are Never Ever Getting Back Together,” by Taylor Swift

Logical implication \Rightarrow:

  • Part 1: Field of Dreams (1989), and also “Roam,” by the B-52s
  • Part 2: “Word Crimes,” by Weird Al Yankovic
  • Part 7: “I’ll Be There For You,” by The Rembrandts (Theme Song from Friends)
  • Part 43: “Kiss,” by Prince
  • Part 50: “I’m Still A Guy,” by Brad Paisley

For all \forall:

  • Part 3: Casablanca (1942)
  • Part 4: A Streetcar Named Desire (1951)
  • Part 34: “California Girls,” by The Beach Boys
  • Part 37: Fellowship of the Ring, by J. R. R. Tolkien
  • Part 49: “Buy Me A Boat,” by Chris Janson
  • Part 57: “Let It Go,” by Idina Menzel and from Frozen (2013)

For all and implication:

  • Part 8 and Part 9: “What Makes You Beautiful,” by One Direction
  • Part 13: “Safety Dance,” by Men Without Hats
  • Part 16: The Fellowship of the Ring, by J. R. R. Tolkien
  • Part 24 : “The Chipmunk Song,” by The Chipmunks
  • Part 55: The Quiet Man (1952)

There exists \exists:

  • Part 10: “Unanswered Prayers,” by Garth Brooks
  • Part 15: “Stand by Your Man,” by Tammy Wynette (also from The Blues Brothers)
  • Part 36: Hamlet, by William Shakespeare
  • Part 57: “Let It Go,” by Idina Menzel and from Frozen (2013)

Existence and uniqueness:

  • Part 14: “Girls Just Want To Have Fun,” by Cyndi Lauper
  • Part 20: “All I Want for Christmas Is You,” by Mariah Carey
  • Part 23: “All I Want for Christmas Is My Two Front Teeth,” covered by The Chipmunks
  • Part 29: “You’re The One That I Want,” from Grease
  • Part 30: “Only You,” by The Platters
  • Part 35: “Hound Dog,” by Elvis Presley

DeMorgan’s Laws:

  • Part 5: “Never Gonna Give You Up,” by Rick Astley
  • Part 28: “We’re Breaking Free,” from High School Musical (2006)

Simple nested predicates:

  • Part 6: “Everybody Loves Somebody Sometime,” by Dean Martin
  • Part 25: “Every Valley Shall Be Exalted,” from Handel’s Messiah
  • Part 33: “Heartache Tonight,” by The Eagles
  • Part 38: “Everybody Needs Somebody To Love,” by Wilson Pickett and covered in The Blues Brothers (1980)
  • Part 46: “Mean,” by Taylor Swift
  • Part 56: “Turn! Turn! Turn!” by The Byrds

Maximum or minimum of a function:

  • Part 12: “For the First Time in Forever,” by Kristen Bell and Idina Menzel and from Frozen (2013)
  • Part 19: “Tennessee Christmas,” by Amy Grant
  • Part 22: “The Most Wonderful Time of the Year,” by Andy Williams
  • Part 48: “I Got The Boy,” by Jana Kramer
  • Part 60: “I Loved Her First,” by Heartland

Somewhat complicated examples:

  • Part 11 : “Friends in Low Places,” by Garth Brooks
  • Part 27 : “There is a Castle on a Cloud,” from Les Miserables
  • Part 41: Winston Churchill
  • Part 44: Casablanca (1942)
  • Part 51: “Everybody Wants to Rule the World,” by Tears For Fears
  • Part 58: “Fifteen,” by Taylor Swift
  • Part 59: “We Are Never Ever Getting Back Together,” by Taylor Swift
  • Part 61: “Style,” by Taylor Swift

Fairly complicated examples:

  • Part 17 : Richard Nixon
  • Part 47: “Homegrown,” by Zac Brown Band
  • Part 52: “If Ever You’re In My Arms Again,” by Peabo Bryson

Really complicated examples:

  • Part 18: “Sleigh Ride,” covered by Pentatonix
  • Part 26: “All the Gold in California,” by the Gatlin Brothers
  • Part 40: “One of These Things Is Not Like the Others,” from Sesame Street
  • Part 42: “Take It Easy,” by The Eagles

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